We’re past the halfway point of AvED’s sophomore season and things don’t seem to be slowing down any time soon. Following right up from last week’s brouhaha in the police station, our heroes hole up back at Casa Williams to deal with Pablo’s new…development. Elsewhere, desperate after the quick divorce last week, Sheriff Emery starts getting devil whispers from Baal himself, urging him to take action against Ash and his crew.
For a thirty-minute episode, this episode manages to juggle three plotlines like a circus clown without it ever feeling like they were shoved in without care. At the front of the house, Linda and Kelly are holding the fort against the angry mob roused by Emery, plus a little help from our friendly demon Baal.
Upstairs, Ruby and Pablo are doing their best to find the spell that can banish Baal back from where he came from…on Pablo’s body. And they have to do this before Pablo gets turned into a walking Necronomicon. No pressure, right?
A little further down the hall, Ash faces a blast from the past. Cheryl, his dearly departed sister is brought back as a Deadite and the requisite action set piece of the episode is as much emotional as it is intense.
This episode, in one word, is a rollercoaster. An intense ride from top to bottom, with lots of laughs, scares, pure d’aww moments, and maybe a few tears along the way. Of particular highlights were Kelly psyching Pablo up with the laugh-out-loud callback to the vagina line several episodes back and of course, Ash’s whole ordeal with Cheryl. Emotionally, this might be one of the strongest sequences throughout the series and Cheryl convinces us once again why she’s one of the most dangerous Deadites in the franchise.
All this combined, plus the references to the classic movies is more than enough to convince me that this is the strongest episode of the season so far, and a powerful proof that Evil Dead isn’t just blood, guts, and slapstick. While it’s true that those are its major selling points, it’s only through character development sneakily put in throughout the show’s run that makes us care for the cast this much in times of trouble. If this is the direction Evil Dead is taking going forward, then I’m in for the ride.